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Showing posts with label Yirrkala. Show all posts
Showing posts with label Yirrkala. Show all posts

Tribal art - Nine baskets you've never seen before

Just about every culture with access to vegetation has had a basket-making history. Among them are the Aborigines of Central Australia.

With little or no resources for pottery-making, a nomadic lifestyle that required regular movement from campsite to campsite and extensive pandanus fiber resources, Australian Aborigines have a rich and vital basket-making tradition.

Even today, at least as recently as the 1990s, Aborigines were weaving baskets for everyday needs such as gathering foods, carrying possessions and even providing shelter for children, and for sale to basket and ethnographic art collectors.



Pandanus fiber, ochres,
dyed emu feathers


Beautiful, colorful, intricately woven baskets are produced by hand throughout Aboriginal Australia. Some the most striking are created in the Northern Territory area of Arnhem Land, served by art and cultural centers at Maningrida and Nhulumbuy.

The baskets are predominantly coiled, string or "dilly" bags. They are woven from various natural fibers such as those made from the leaves of the pandanus plant, the bark of trees like Kurrajong, Brachychiton diversifolius, Brachychiton paradoxum and Ficus virens.

These fibers are dyed in vivid oranges, yellows, reds, blacks and purples by boiling in ground up roots of plants like Pogonolobus reticulatus and wood ash from Eucalyptus alba.

Maningrida is a small community that sits on the remote northern coast of Australia's Arnhem Land at the estuary of the Liverpool River. During much of the year the community can be reached only by light aircraft. Nhulumbuy, also known as Gove, is an area where bauxite has been mined. It also situated on the northern coast and is reachable primarily by air, especially during the wet season.

We acquired several Australian Aboriginal baskets for our personal collection starting in 1990, in villages and towns of the Northern Territory. We have decided (reluctantly) to release these baskets for sale. You can learn more about them, which are shown in thumbnails below, and access a larger photograph of each, by clicking on each image.

W762 dilly bag

KC40 emu feather basket

CC20 dilly bag

W036 collecting bag

W764 collecting bag

W824 parrot feather bag

K128 canoe shape basket

W826 collecting basket and child cover

You may see these and other Australian Aboriginal baskets at our TribalWorks online gallery. We invite you to visit and share our passion for the ingenious weaving of these resourceful people.

New, old Australian Aboriginal bark paintings

Susanne and William Waites have just posted eight authentic Aboriginal bark paintings from Australia that have been in our collection since 1990. These join a number of others that have been on our website for sometime.
The Lightning Spirit - Oenpelli - Neville Marrday

Australian Aboriginal barks are a unique art form. They start with a piece of bark that has been prised from the girth of a eucalyptus tree. It is placed on the ground over a smoldering bank of coals with the edges extended to a flattened configuration. Rocks are placed on the corners and the edges to hold the bark down and flat while it cures.
Mimihs & Hunters - Milimbimbi - Djawida

After it has dried and is mostly flat, the stringy side of the barks is scraped to make it smooth. When it is completely flat and smooth, the surface is painted. The media are ground-up ochre, kaolin and charcoal. These all-natural pigments are fined with sand and bound with honey or flower juice.
Bolyu (water spout) Dreaming - Yirrkala - Dhuwarrwarr Marika

The applied patterns involve various designs and icons depending on the area from which the painter comes and the tradition of that area. For example, Oenpelli tends toward an "x-ray" technique that replaces 3-dimensionalism while portraying the shape and skeletal essence of the creature represented. Other areas have other traditions. The Tiwi people of Melville and Bathurst Islands employ a cross-hatch (rarrk) that is said to the specific property of the painter's clan.
Long Neck Turtle totem - Tiwi people

It is said that the bark painting tradition had its genesis as a way of decorating the inner side of bark slabs cut and flattened to serve as lean-to shelters during the wet season of the tropical Northern Territory.

There is more to read and learn about bark painting at the TribalWorks website Australian Room, along with additional examples of this genre.

Incidentally, all these paintings were acquired when the Australian dollar was significantly less valuable vs. the US dollar. The prices were set on the basis of those 1990 exchange rates. That makes them very attractive values at regular price. With our current April Foolishness sale giving 30% off through the end of April, they are even greater bargains.

US and Canadian collectors can call us at 800-305-0185 for more information or order inquiries. Australian collectors tapping into this blog, are invited to inquire too, via the email address on our Web site. We can ship to Australia at very reasonable rates. We would love to see them repatriated to their homeland.