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Showing posts with label Zuni fetish carvings. Show all posts
Showing posts with label Zuni fetish carvings. Show all posts

One week closer to Christmas

At the risk of being repetitive, we will probably be issuing weekly reminders of the upcoming holiday and the wisdom of thinking about your gift purchases now.

If you have a friend or loved one who is fond of Native American things, our website featuring authentic Navajo jewelry is a great place to browse for a gift that will surprise and delight him or her.

Or consider the wide range of Zuni and other pueblo fetish carvings at our ZuniLink site. There are hundreds to select from. A gift of Zuni fetish culture carries with it a wish for good health and good fortune.

Merry Christmas and Happy Holiday

Zuni fetish carver, Burt Awelagte, tells about his carvings

While we were in Zuni and Gallup for the InterTribal, we visited Burt Awelagte in his home on the Zuni Pueblo. Here is what he had to say about his materials, his tools, his art and his vision. Fascinating!

More of Burt's
Zuni fetish carvings will soon be posted on our ZuniLink website. Make a point to visit it in the future. Thank you

Meet Dee Edaakie, Zuni Pueblo fetish carver.

Today, we met with Dee Edaakie, one of our favorite Zuni carvers. We enjoy Dee both because of his superb and inventive carving and because he is a genuinely nice person. He came to our Santa Fe casita, accompanied by his young daughter. We purchased four carvings from him, and induced him to tell you about them in this video.



We hope that getting to know the carvers we work with and who we support will give you an even better sense of what Zuni fetish carvings are about. You will see more of Dee Edaakie's work and that of other carvers at ZuniLink, our web site featuring these outstanding works and the artists that create them.

Two More Days of Free Shipping

Since we understand from the USPS that they still can deliver priority packages by Christmas if they are mailed no later than December 17, we have extended our free shipping offer until the close of Post Office business on 12/17.

This offer extends to any jewelry or fetish carving shipped by USPS Priority to any point in the US. We may be able to apply it to other items from our other web sites at TribalWorks and Native-PotteryLink too. Ask us.

Finally, if you are absolutely desperate and still have not ordered by December 22, all is not lost. FedEx is available for over night delivery. It is not free and it is a little on the expensive side. But it will get there in time.

We just sent an item via FedEx to a member of the military who is about to deploy, so overnight delivery was an absolute must. We were happy to pitch in and share the cost of the shipping as a our small way of saying "thank you" to the defenders of our freedom.

May your holidays be shiny and bright, like the Native American jewelry we offer, and your New Year be filled with healing, like the Zuni fetishes we sell.

Susanne and William

New Fetish Carvings by Delbert Charging Crow

A report by Aboriginals: Art of the First Person, operators the popular Native American fetish carvings web site at ZuniLink.com.

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One of our most enjoyable days in New Mexico during Santa Fe Indian Market time was a visit with Delbert ChargingCrow, a Lakota Sioux carver living in Albuquerque. During the visit we looked at a number of new carvings done by Delbert since we last saw him. Some of these have been posted to our ZuniLink website.

We also had a long conversation with Delbert. He is a fascinating, very spiritual person. He reminded us of the healing power that he invests in each of his carvings. He also shared with us certain aspects of his carvings that we were not aware of.


For example, when bears have turning heads, they are male bears, For some people, they also represent the turning around of a life on a bad path. With so many of us heading in directions about which we are uncertain or that we feel may be self-destructive, the turning bear takes on great significance as a source of support and healing. (Delbert carves female bears as linear and moving forward.)


All of Delbert’s bears and all his carvings include a package of spiritual stones, feathers and small leather pouches. These add power and spiritual strength to each carving.


When Delbert carves a horse, it always also has a small "walking stick” attached to the power package. He furnishes it so that the rider can dismount and have the walking stick for support as he or she continues the journey.


Of course, with his heritage as a Plains Indian, Delbert considers the horse as a particularly important animal to carve, just as it was for his ancestors.


Delbert also told us the structure of the elk’s antler rack replicates two hands, eight fingers and two thumbs, joined together in prayer. It signifies the elk's intervention with the higher spirit. It’s something you don’t notice until it is pointed out. It definitely is there, just as Delbert intends it.


Occasionally, Delbert is drawn by the opportunity to carve more whimsical creatures, such as turtles, donkeys, rabbits, eagles, hawks and others. All are carved in Delbert’s inimicable, unmistakable style.

We have added some of these to our selection available for purchase.


People often look querulous when the so-called “healing power” of Native American fetish carvings is mentioned.


A little history: The concept of stone fetishes had its genesis in stones that were found on the ground in native lands after rainstorms. Many of them had shapes and characteristics resembling animals. It was believed by Zuni Indians in pre-historical times that these were actual animals that were petrified into stone when struck by lightning.


It was further believed that power of the original animal also was preserved in the stone. Healing and protection in bears. Long life in turtles. Fruitfulness in frogs. Wisdom in eagles. Cunning in wolves.


Eventually, Zuni carvers went beyond the inherent form of the stone to carve in characteristics that they associated. Even then, the carver only carves elements and forms that he or she sees already present in the material.


(Delbert pointed out that his own experience is that when a carver tries to carve an animal that isn't actually in the stone, the material fractures. The carver is forced either to throw the material away or look for another animal that may be hiding in the remnant stone.)


Fast forward to other tribes that adopted and adapted the carving of creatures and items reflective of the culture of that tribe. Navajo carvers tended to concentrate on domestic and livestock animals, as protectors of their flocks and herds.


Cochiti carvers, such as Salvador Romero and Wilson Romero, backtracked into forms that are more unpolished and crude, based on natural stone found on the Cochiti Pueblo.


Melvin Sandoval, from San Felipe Pueblo, married a Zuni woman and brought his unique modernistic style to fetish carving.


Delbert, a Lakota Sioux, was inspired to contribute his gift for carving and his native spiritualism as a healer to the genre.


It is true that carvings are not considered "fetishes" unless they have been blessed by a tribal priest. It also is generally accepted, however, that any carving which embodies the form and spirit of an animal may convey the power and magic of that creature, if the owner of the carving believes in it and takes care of the carving.


Delbert lives in Albuquerque and uses the public bus to take his granddaughter to school each day. He is a source of strength and guidance for this young lady. We admire his artistry, his soft-spoken spiritualism and his dedication to family.

We count it a great privilege to be able to consider Delbert ChargingCrow a great friend as well as a source for carvings that magical in the way the look and the solace they bring to life. Dozens of his carvings are available for purchase at ZuniLink.com.

Thank you for reading.


Tribal art loses a great and talented Zuni artist

We were saddened, as were all of our friends and associates in Zuni and the field of Zuni art, to learn that Jeff Tsalabutie was killed in an truck accident early this week. All details are not available and, out of respect for Zuni traditions, we held back on this announcement for a period of grieving.

And grieve we do.

Jeff was more than a fine carver with a whimsical and creative style.

He was a friend.

Whenever we would see him in Zuni, Albuquerque or Santa Fe, we always were greeted with a huge smile and a hearty "Hello, how are you?"

We enjoyed being with him, even on those occasions when he had sold out his work by the time got to him. He was instrumental in our ability to meet other young, talented Zuni carvers, who we are sure will miss him as much or more than we will.

We send our condolences to Jeff's wife and son and other members of his extended family.

Rest well, Jeff. You have left behind an inspiration for all who create.

A Zuni fetish sale - but not ours - Tribal Artery

Okay. Call us stupid.

We are about to tell you about a sale of Zuni fetishes by another site that could be consider a "competitor".

Although, we prefer to think of everyone who sells what we sell as collaborators. The more you and others come to appreciate the beauty and importance of tribal art of any kind, the better it is all for all of us.

So, a visit to ZuniSpirits will reveal a current sale of Zuni fetish carvings at very reasonable prices (not necessarily more reasonable than our prices, but nevertheless reasonable prices- you can compare prices by visiting our ZuniLink site too.)

Another reason we like to support Zuni Spirits is because they are faithful supporters of the Zuni people and Zuni carvers. We have many carver friends in common.

From our standpoint, it is more importnat that you add a Zuni fetish carving to your life than who you choose to get it from.

Tribal Art - have some fun. Guess the carver.

Often we get confused about who carved what.

Not that we didn't know and can't look it up.

But we look at a carving we have had for a while and we wonder, "Who carved that?"

Of course when we look it up in our records we say, "Of course, that's who the carver was."

So we thought we might turn it into a game and you might enjoy playing.

Is it Emery Eriacho?

Or Elroy Pablito?

Or a Quandelacy?

|?

|?

|?

|?

|?

|?

|?








If you guessed it was a Quandelacy, you must know a little something about fetish carvers.

But we're not done yet.

Which Quandelacy?

Click here to find out

Historical Use of Zuni Fetishes

This guest post was written by Zoe Lancaster, a writer and analyst for MBA Admission Essay Blog

With the increasing interest in Zuni crafts, particularly Zuni fetishes, perhaps it's just right to delve on the roots of these masterpieces before they became collectibles. And it's interesting to note that these historical uses of Zuni fetishes have modern followers.

Traditional
background

Traditionally, fetishes were found items, not crafted objects. The Zuni people believed that these stones were spiritual manifestations of the animals they resembled. As such, these fetishes contained the powers and characteristics of these animals.
These fetishes were not worshiped as idols, as some early missionaries thought. In fact, these items were merely messengers to the gods and spirits. They assisted in the Zunis' communication with the divine. This can be likened to praying or meditation, wherein channels are used for clearer and more effective spiritual conversation.

Using Zuni fetishes


To begin to use fetishes, the item can be held by the hands. These can also be placed in front. Prayer and meditation
begins. The person needs to keep in mind the intrinsic qualities of the animal symbols before him or her. This is the best way to channel the fetish's most powerful qualities. As Tom Bahti, renowned anthropologist, puts it, they are used to "assist man, that most vulnerable of all living creatures, in meeting the problems that face him during his life. Each fetish contains a living power which, if treated properly and with veneration, will give its help to its owner."

Within the web of life


Among the different animal fetishes, the holiest are those that have the least relation to man. Say, for example, one has dog and snake fetishes. The snake fetish is deemed more holy because of its distance from man. The dog, on the contrary, lives with man and is therefore closer to man than the divine.
Of all animal fetishes, perhaps it is the bear, which is the most valued mediator between man and the divine. This stems from the physical attribute of the animal, as it closely resembles man. At the same time, it is distant to man, and survives life closer to the divine because of its mystery and power. Because of these two traits, tradition values the bear fetish as one of the best channels between man and the gods.

When carving fetishes began


When the tradition of carving fetishes began, this was first deemed as less powerful than found fetishes. Of these carved items, those done by people who have special wisdom of the healing and spiritual powers of fetishes were said to have greater powers.
The sizes of fetishes vary; although typically, one can find them in lengths between three and twelve inches. Each of these carved crafts is a manifestation of the animals they represent. They may have heads of humans, serpents and other animals. Its legs and arms can either be etched or carved. The body of these crafts is made of either stone, clay, shell or bones. Other materials can be used, although these are more seldom. They are made more potent by etchings and symbols on the fetish or the jars they inhabit.

Regardless of the owner's background, Zuni fetishes must be cared for and valued as they traditionally deserve.
Many Zunis and even outsiders still believe that these crafts are ways toward spiritual upliftment. These traditions should be respected, if not practiced.
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Thank you to our guest blogger, Zoe Alexander, for her excellent explanation of Zuni fetish carvings and their relation to owners. William Ernest and Susanne Waites, proprietors of ZuniLink.com Here's an example of a typical crafted Zuni bear fetish carving:

It truly is a WorldWideWeb

Today, we shipped a major piece of Australian Aboriginal wood carving to Germany. This follows a shipment of dot paintings and Aboriginal baskery and other native artwork to this same customer

Monday we will ship several Zuni fetish carvings to a loyal customer in Australia.

We have shipped to Canada, Japan and the Netherlands.

And today a woman from out of town, staying on Sanibel Island, came by our house and acquired several Zuni carvings. She found us on the web through a keyword search.

What is going on here?

When we closed our physical gallery after 16 years of daily treks to it and entertaining visitors without end - which we loved - we were a little concerned.

We had been online for many years - 10 or more. Yet, one never knows what will happen when you no longer have a place 'on the ground.'

What actually has happened is that we have a world wide circle of friends and customers. They come to us via the web. They trust us and they buy from us. There is no way to tell you how special that makes us feel.

Then, occasionally, someone who has seen us on the web shows up in Southwest Florida - Sanibel is a tourism magnet for good reason. They call. They come by. We share experiences and our home. And we have gratification of yet another kind.

Life is good. Friends and customers are good. Beauty is good.

We are blessed to be in this business.

New Zuni Fetish Home Page at ZuniLink

We have redesigned the home page at http://www.ZuniLink.com to improve loading time and make navigation easier.

We'd appreciate feedback.

Did make it better? Or is it same old, same old?

You can comment to this blog or email us at sanibelart@comcast.net .

Maidens of the Corn, a Zuni Carving Tradition

As long time collectors and dealers in Zuni fetish carvings, Susanne Waites and William Ernest Waites continue to be surprised by new collectors who are unfamiliar with Zuni corn maiden carvings. Perhaps it is because, unlike animals such as bears, frogs and turtles, a smaller group of Zuni carvers create corn maidens, almost as a specialty.

Corn maidens reflect the agricultural and ritual importance of corn to native culture. Small stands of corn are nurtured in the harsh environment to provide the pueblo with corn to be ground for flour and ceremonial purposes.


Corn maidens are emblematic of this respect for corn as a sustainer of life and spirituality.


Not all Zuni carvers carve corn maidens, although most may have done so at one time or another. As carvers mature in their ability and their marketability they tend to specialize in certain carving subjects.

Among those who specialize in corn maidens are members of the famed Quandelacy family.

Green snail shell corn maiden by Stuart Quandelacy, Zuni

Sandra Quandelacy has a long tradition of carving corn maidens, and Kateri Sanchez-Quandelacy is following her example. More recently , Talia Quandelacy has been carving corn maidens in a distinct style.

Todd Westika is another corn maiden carver, usually using shell, but occasionally othre materials such as this turquoise carving..
Todd Westika, Zuni, corn maiden from
Sierra Madre turquoise, silver inlay


Fernando Lawakete and Ron Laahty also carve corn maidens in styles that are unique to them.

Dolomite corn maiden with white marble
butterfly by Ron Laahty, Zuni


Gabe Sice also carves corn maidens, as does Daniel Chattin.

Daniel Chattin, Zuni, corn maiden of fossil
ivory with turquoise and malachite


When discussing corn maidens, it is impossible not to include other figures carved by Zunis and even Navajos. Freddie Leekya carves fascinating Zuni figures. and Troy Sice carves other maiden figures.

Navajo Andy Abeita has carved handsome corn maidens as well.


Navajo corn maiden from striped serpentine
with amber necklace, Andy Abeita


Zuni fetish carving collectors have a world of beautiful works to acquire. Many, include all those shown here, are featured at our ZuniLink.com website. You are invited to drop by and see what is available.
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Tribal Artery is brought to you by William Ernest Waites and Susanne Waites, proprietors of Aboriginals: Art of the First Person online gallery with additional web sites at Native-JewelryLink, Native-PotteryLink and TribalWorks.


New Native American Fetish Carvings at ZuniLink

ZuniLink has added a number of new fetish carvings by noted Zuni, Navajo and San Felipe carvers.

There are several new items by Lynn Quam,

Argite buffalo by Lynn Quam

and more by his wife, Jayne.

Fossil jasper coyote by Jayne Quam

New items have been posted from San Felipe Melvin Sandoval


Steatite eagle by Melvin Sandoval
and Navajo Sammy Smith.


Marble horse by Sammy Smith

Also, if you are a horse lover, check out the new horses on ZuniLink.


Soapstone by Zuni Hubert Pincion

And check in again for more additions. (It was a great buying trip last month.)

Thank you for your attention.

ZuniLink acquires Jeffrey Tsalabutie's award-winning lapis bear carving

As previously announced in this blog, Jeffrey Tsalabutie's lapis bear carving won Best of Class and a First Place Blue Ribbon at the 2007 Gallup Inter-tribal Ceremonial competiton.

Now, ZuniLink is proud to announce that it has acquired this award-winning carving. It will shortly be added to the inventory at ZuniLink.


Photos are included below:


Pricing has not yet been determined.

Zuni fetish carvers the Waites bought from this week

Greetings:
We have been poor bloggers over the last few days because of a high level of other activity and the difficulty in getting good internet connections. (Our guest house still doesn't have it reinstalled - a real bummer.)


But here is an update on our activities at Zuni Pueblo last Thursday and Friday.



We were able to meet with all of the carvers pictured below.
We thought you might enjoy seeing photos of the carvers whose work you are buying.

Andres Quandelacy


Calvin Weeka


Carl Etsate


Collin Weeka


Daphne Quam



Efran Chavez



Ernie Mackel



Eugine Quandelacy



Fernando Laiwakete


In the interest of keeping each blog post to a reasonable length, I will close this album now and post a follow-up album with more pictures of the carvers we engaged this week.

Shortly, carvings from these artists and others will be posted to ZuniLink, your link to the latest and best in Zuyni and other fetish carvings. Check back.

NEW Salvador Romero Cochiti Carvings at Zuni Link

Owners William & Susanne Waites have just added a dozen new fetish carvings by Cochiti carver, Salvador Romero.

Salvador Romero is a carver of immense talent and sensitivity and very little time to carve, given his other pueblo duties. So we always consider ourselves privileged when new works
come in.

ZuniLink is one of just three galleries, to our knowledge, that carry Salvador's pieces. Here are some samples of the latest.

A pair of wolves in pueblo found stone.A pair of bears in pueblo found stone.A badger in pueblo found stone.
A hawk in pueblo found stone.

Unlike Zuni carvers, who work in more formal stones such as turquoise, lapis. marble and Labradorite, Salvador's carvings come from stones he finds on the Cochiti Pueblo grounds as he walks with his dog. The animal emerges from the carving as a result of Salvador's vision as to what exists inside it. You're invited to visit Salvador's pages at ZuniLink to see and learn more.

Thank you.

New Navajo Folk Art Carvings at TribalWorks.com

A handful of new folk art carvings by Navajo Matthew Yellowman have been added to the selections available at TribalWorks.com. We're showing a sampling of the new pieces here. Yellowman's work is distinctive in its excellent attention to detail combined with a vibrant sense of humor.

This hand-carved and hand-painted owl stands in moccasins.
This roadrunner in sneakers makes a jog in the desert look like fun.
Lots of folks are attracted to ravens. This one is very attractive.

This rooster is typical of Yellowman's to-crow-about work.

See more of Matt's colorful work at TribalWorks now. And visit our other web sites for authentic Zuni and other tribal fetish carvings at ZuniLink ; beautiful, conversation-worthy Native American jewelry at Native-JewelryLink and elegant, hand-built Native American Pueblo Pottery at Native-PotteryLink.

Speaking of Prices – What’s going on in downtown Santa Fe?

We used to chuckle when people would visit our Sanibel gallery, Aboriginals: Art of the First Person, and comment that they loved our art but would wait until they visited Santa Fe, where the prices would be lower.

Obviously, those people had never been to Santa Fe. We have, and return regularly. It is a special place.

There is a certain cachet to buying tribal art in Santa Fe. But price isn't part of it.

We know that our prices, even when we had the physical gallery, were never higher than those in Santa Fe and usually lower.

We understand. Santa Fe is a high-rent district. Galleries there, as with all galleries everywhere, must pay their rent and their staff.

The money to do that must be baked into the price of every object of art they sell. There is no other way to do it.

Now we read in the Santa Fe New Mexican newspaper that galleries and shops in downtown Santa Fe are in a crunch. Rents remain high but traffic is down, largely because of extensive construction downtown.

One gallery owner is quoted as saying, “Downtown Santa Fe has lost its vibrancy.”

We don’t want to dump on Santa Fe. We love the place. Its art, its culture, its dining and its climate truly make it “The City Different.”. We sincerely hope it recovers and quickly.

But rest assured that you don’t have to go to Santa Fe or even shop online with Santa Fe dealers to get quality, authentic, Native American jewelry, pottery, folk art and fetish carvings at excellent prices. And with service that you will tell your friends about.


Local retailer hawks “Internet Pricing”

There are certain occurrences in life that tend to represent "tipping points" in the human consciousness.

Without placing too much importance on it, William Waites, co-owner of Aboriginals Gallery, considers that the use of the term “internet pricing” by a local retailer may be one of those benchmarks.

When Aboriginals closed our physical gallery on Sanibel Island in Florida to operate exclusively online, we commented on how it allowed us to reduce our prices because we had reduced our overhead.

(As it turned out, the overhead reduction was not as dramatic as we had anticipated, what with other business costs replacing those that were eliminated or reduced. But that is another story.)

Generally, we have been able to reduce our prices by about 30% averagely across the board - before including special sales such as our recently ended April Foolishness reduction of 30 %.

Now, we hear that the concept of lower prices on the internet has permeated other merchants and businesses, including some with massive bricks and mortar cost structures. Hence, a local jeweler is running radio and television commercials claiming the prices in its stores are "internet prices."

So, I guess it is now indisputable common knowledge that the same items cost less when purchased via the internet.

This leaves the only impediments to internet shopping being the reliability of the seller and the suitability of the item when actually evaluated in hand.

We attempt to solve both the problems by pointing out that we have been in the tribal arts business since 1979, 28 years.

Over that time, with thousands of sales, we have had very few returns from people who did not want the item once they had it physically available for inspection.

Sometimes it has been a size problem. Sometimes a color problem. (Both size and color information have limitations on the internet.)

Occasionally it has been that an item purchased for display purposes that was not perceived to look right in the intended space when it was “tried on.”

To be fully candid, we also had one item returned when the purchaser located an “expert” who claimed the item was not what it was purported to be. We took it back with a full refund – our standard policy on authenticity issues when we are notified within 30 days.

We researched the challenge and found that it was debatable as to whether the attribution was 100% accurate or not.

Nevertheless, we accepted the return. No big deal. Just the way we are.

If you are looking for authentic, guaranteed tribal art – at “internet prices” – may we suggest a visit to our Web sites at Native-JewelryLink.com, Native-PotteryLink.com, TribalWorks.com and/or ZuniLink.com?

We welcome your keen eye and your high standards.